
Arthur Kampela (b. 1960 in Rio de Janeiro, Brazil), winner of the
1995 International Guitar Composition Competition (Caracas, Venezuela)
and winner of the 1998 Lamarque-Pons Guitar Composition Competition
(Montevideo, Uruguay), is internationally recognized as both composer
and virtuoso guitar player.
Kampela has broken new ground in two particular ways: first, in
his native country as a sort of "Brazilian Frank Zappa", he
has fused popular and vernacular styles with contemporary textural
techniques. Second, he has
developed new extended techniques for acoustic instruments. In his
series of "Percussion Studies" for solo guitar, Kampela has
created an entirely new playing technique, denominated "Tapping
Technique", combining in a compelling and seamless manner,
traditional techniques and noise oriented, percussive effects.
He has received numerous commissions and awards, from the
Rio-Arte Foundation, Fromm Music Foundation, New Music Consort, Carioca
Guitar Quartet, Helsinki Biennial and fellowships from the Brazilian
Government (CNPq) and Columbia University, among others.
Recent
achievements (1995-00) include: Festival Archipell (2000), Switzerland,
with "Quimbanda" for electric guitar played by Wieck Hijmans;
lecturer, guest composer and juror at the "International Guitar
Competition", in Caracas, Venezuela (97); participation in the
"Sonidos de las Americas" - American Composers Orchestra at
Carnegie Hall, NYC (96); selected for the ISCM'96 and '97, in Copenhagen
and Seoul, respectively and the 43rd International Tribune of Composers
of UNESCO, France (95); guest composer for the "AVANTI"
Ensemble, Tempeliaukion, Helsinki (95); Helsinki Biennial with a viola
piece premiered by the virtuosi Paul Silverthorne; debut of
"Variations/Phallanges" for harp solo by Anne Bassand at the 'Kammermusiksaal
des Kongresshauses' in Zurich (95); participation at the Festival
'SYNTHESE'94' in Bourges, France, at the International Computer Music
Conference (ICMC'95) in Canada, and at the electroacoustic Music
Festival in Aquila, Italy , with his piece "TEXTORIAS" for
computer-generated guitar.
In 1998, Kampela received a doctorate in composition from
Columbia University where he studied with Mario Davidovsky and Fred
Lerdahl. In 1993, he received private lessons from the British composer
Brian Ferneyhough. Kampela's works have been performed in the leading
forums for Contemporary music in South-America, Europe, Asia and the
USA. He recently finished a String Quartet, where he employs his system
of micro-metric modulation derived from Carter's and Cowell's metric
ideas, to bridge complex rhythmic relationships.
An
active participant in the New York new music scene he has been composing
and performing with his group as well as curating several music series
for many unorthdox venues. He presently lives in New York city with his
wife Kim and their son, Julian Lua.
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